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Ross Scott hosts a live discussion on August 11 about the Stop Killing Games movement, which opposes violent content in video games. The movement, fueled by re…
Euphoria’s Season 3 replaces glitter with red lips and black eyeliner to signal Jules’ transition to adulthood. This visual shift underscores her increased mat…
The FX series *Tony* recreates Anthony Bourdain’s late-1970s Provincetown life, filming in original locations like The Crown & Anchor and The Lobster Pot. The …
Filmmaker James Gray argues society discourages men from showing tenderness, calling it a narrow view of masculinity that harms storytelling. His new film, *Th…
The BBC is adapting Charlotte Brontë’s *Jane Eyre* with Aimee Lou Wood as Jane, blending modern and faithful elements for a feminist-centric retelling. Schedul…
Pippa Harris and James Wilson will co-chair the BFI London Film Festival’s 2025 Industry Forum, focusing on filmmaker support amid industry challenges. Their l…
Latin Quarter Distribution acquired world rights to Uruguayan crime thriller *Maltrato Animal*, highlighting Latin America's rising genre film exports. The fil…
The Set Decorators Society of America honored 'Widow’s Bay', 'Fallout', 'Wednesday' and more for outstanding set design in TV, highlighting the crucial but oft…
The Set Decorators Society of America named *Widow’s Bay*, *Fallout*, *Hacks*, and *Beef* as top TV set decoration winners for 2025–2026. These awards highligh…
Christopher Nolan's *The Odyssey* has earned $1.1 billion globally, surpassing *The Dark Knight Rises* as his highest-grossing film. Its success proves epic st…
Luca Guadagnino backed *Ketticè* because he says Italian cinema has become too safe and formulaic, lacking bold creativity. The film, a raw coming-of-age story…
